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The tale of Three men laughing by the Tiger Creek was already circulating during the Tang dynasty and gained widespread popularity in the Song dynasty.
According to legend, Huiyuan 慧远 (334–416), the abbot of Donglin Temple on Mount Lu, was known for never seeing his guests off beyond the bounds of Tiger Creek. However, on one occasion, after a delightful gathering with Tao Yuanming 陶渊明 (365–427), a retired magistrate and renowned poet, and Lu Xiujing 陆修静 (406–477), a Daoist master, the three became so deeply engaged in conversation that they unknowingly crossed the stream’s boundary. It was only when a tiger roared from the nearby hills—traditionally believed to guard the threshold—that they realised they had overstepped it. The moment brought a sudden and shared laughter, marking a gentle yet profound farewell.
Despite the charm of this story, historical evidence casts doubt on its authenticity. While it is plausible that Huiyuan and Tao Yuanming, contemporaries in the Eastern Jin period, may have met, Lu Xiujing lived nearly a century later, making such a meeting historically impossible. Thus, the episode is regarded as a fictional creation.
Nevertheless, the tale has endured through the centuries as a poetic symbol of unity and mutual respect among the three major schools of thought in Chinese tradition—Confucianism, Buddhism, and Daoism.
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image identification and story scene description by <a href="https://tutuhaoyi.com/about-us/dr-yibin-ni/" target="_blank" rel="noopener">Dr Yibin Ni </a>
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Similar Figural Story Scenes for Differentiation:
<a style="color: #3366ff;" href="https://tutuhaoyi.com/figures-stories/picture-of-three-sours/" target="_blank" rel="noopener">Picture of Three Sours</a> 三酸图
<a href="https://tutuhaoyi.com/figures-stories/confucius-consulting-laozi" target="_blank" rel="noopener">Confucius consulting Laozi</a> 孔子见老子
<a href="https://tutuhaoyi.com/figures-stories/zhang-liang-fetching-shoe-on-yi-bridge/" target="_blank" rel="noopener">Zhang Liang Fetching Shoe on Yi Bridge</a> 张良圯桥纳履 (圯桥三进履)

Three men laughing by the Tiger Creek

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The Legend of the White Snake is one of China’s four great folktales, the others being Lady Meng Jiang, Butterfly Lovers, and <a href="https://tutuhaoyi.com/figures-stories/the-weaving-maiden-and-the-herd-boy/" target="_blank" rel="noopener">The Cowherd and the Weaver Girl</a>. Early versions of this tale can be traced to the Southern Song story collection Records of Three Pagodas of West Lake (《西湖三塔记》) and the Yuan zaju play The White Snake (《白蛇记》). By the Ming dynasty, Feng Menglong (冯梦龙)’s Stories to Caution the World—specifically the tale Madam White Forever Imprisoned Beneath Leifeng Pagoda (《警世通言·白娘子永镇雷峰塔》)—refined the narrative. During the Qing dynasty, it gained widespread popularity through operas and folk performances, becoming a beloved classic.
The story recounts how Bai Suzhen (白素贞), a white snake spirit who has cultivated her powers for a thousand years, and Xiaoqing (小青), a green snake spirit, transform into humans to experience the mortal world. While visiting West Lake in Hangzhou, Bai Suzhen encounters a scholar named Xu Xian (许仙). The two fall in love at first sight, and get married soon afterwards. Xiaoqing, leading five little spirits, manages to steal money from a corrupted governor’s bank so that Bai Suzhen and Xu Xian can open a local pharmacy. However, abbot Fa Hai (法海) discovers Bai Suzhen’s true identity as a spirit and, believing that humans and spirits cannot coexist, repeatedly intervenes.
On the Duanwu Festival (端午节), Fa Hai tricks Xu Xian into persuading Bai Suzhen <a href="https://tutuhaoyi.com/blogs/culture-and-customs/duanwu-festival-and-combating-the-five-poisons-in-chinese-seasonal-customs/" target="_blank" rel="noopener">to drink realgar wine</a>, which forces her to reveal her snake form. Terrified, Xu collapses and dies. Bai Suzhen risks her life to steal an immortal herb, reviving Xu Xian, though their lives are fraught with tension from that point onward.
Fa Hai lures Xu Xian to Jinshan Temple and traps him there. Bai Suzhen and Xiaoqing lead an army of undersea creatures to attack the monastery with storms and floods, but they are defeated by Fa Hai’s superior Buddhist magic, aided by heavenly warriors. Bai Suzhen retreats to Hangzhou and, at Duanqiao, she unexpectedly reunites with Xu Xian, who manages to escape from the temple during the sea battle. The couple reminisce about their first meeting at Duanqiao and eventually reconcile.
Bai Suzhen later gives birth to a son, Xu Shilin (许仕林). Seizing an opportunity, Fa Hai captures Bai Suzhen using a magical alms bowl and imprisons her beneath Leifeng Pagoda (雷峰塔), separating her from her family.
Years later, Xu Shilin achieves the highest honours in the imperial civil service examinations and returns to Hangzhou in glory. He visits Leifeng Pagoda to honour his mother. His filial piety and Bai Suzhen’s enduring loyalty move the heavens, causing the pagoda to collapse. Bai Suzhen is finally freed and reunites with her son.
This tale, blending fantasy with human emotion, reflects themes of love, sacrifice, and the struggle against fate, securing its place as a cherished masterpiece in Chinese culture.
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Story scene description by <a href="https://tutuhaoyi.com/about-us/rachel-ma/" target="_blank" rel="noopener">Rachel Ma</a>
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Other Figural Stories:
<a href="https://tutuhaoyi.com/figures-stories/heavenly-master-zhang-quelling-the-five-poisons/" target="_blank" rel="noopener">Heavenly Master Zhang Quelling the Five Poisons</a> 张天师降五毒
<a href="https://tutuhaoyi.com/figures-stories/story-of-the-white-hare/" target="_blank" rel="noopener">Story of the White Hare</a> 白兔记

Legend of the White Snake

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